Review: We Need Girlfriends

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Mar 272011
 

We Need Girlfriends

Comedy – Situational

Created by: Steven Tsapelas

Starring

Synopsis: Three 20-something college graduates struggle to understand the New York dating scene after each is dumped by their long-term girlfriend.

Review:

We Need Girlfriends (WNG) does everything right for a web series. Bold humour, quality production and relatable themes make for a fun and entertaining watch in this 11-episode series that hits the heart as much as the funny bone.

The series was created and written by Steven Tsapelas, who attended Hofstra University as a Film Studies & Production major where he met the rest of WNG’s creative team: Angel Acevedo (cinematography) and Brian Amyot (director.) The trio formed Ragtag Productions together in 2004 after they graduated.

WNG follows the lives of Tom, Rod and Henry, played by Patrick Cohen, Evan Bass and Seth Kirschner respectively. The three of them have an undeniable chemistry that brings Tsapelas’ words to laugh-out-loud life. They bumble about their shared apartment, ragging on each other and dropping movie references as they each try to find a new girlfriend only to discover the New York dating scene to be full of surprises – some terrible, some wonderful.

The series is funny because life is funny. The humour flows as they pick their way through theme parties, board game nights and awkward living situations. It’s funny because sometimes even the best of friends can’t translate each other. It’s funny because people are awkward and don’t always say the right thing. It’s funny because Tsapelas has a gift for quick wit and the actors have a gift for delivering it.

One of the most impressive aspects of WNG is the structure of the series. Each episode has its own arc, but they all lend to the greater drive of the series itself. Episodes range from 5-10 minutes long, basing their length on content rather than trying to make each episode the same span (I mean, there aren’t any time limits when it comes to the internet, why play like there are?)

As an added bonus, the series resonates quite clearly with audiences today, even though it was released in 2006. At least I, as a 20-something nearing graduation, found it did so.

The team at Ragtag Productions is gearing up to launch a new series on April 1st. My Future Girlfriend promises to be a sci-fi-rom-com blend and describes itself as being equal parts The Terminator and When Harry Met Sally. With Tsapelas at the writing helm, Amyot directing and returning cast members Cohen and Brigitte Hagerman (who played Tom’s love interest, “Lucy”) it’s exciting to see some of the WNG group come together again, but the Ragtag blog has made sure to clarify that this series is entirely unattached to WNG. If I had one wish for WNG it would be that the production value matched the quality of writing and performance. Given that the series was filmed five years ago though, and the developments in not only filming equipment available but in editing tools, I think My Future Girlfriend will be better off in that aspect. I personally can’t wait to check it out.

3.5/5

Review: Anthony Saves the World

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Mar 142011
 

Anthony Saves the World

Comedy – Action | Buddy

Created by Mikey Neumann and Anthony Burch

Starring

  • Mikey Neumann
  • Anthony Burch

Synopsis: Mikey is sent back from the future to protect Anthony – who is going to save the world. Somehow. There are demons, KFC, and suits too.

Review:

Anthony Saves the World is a twenty-something man-boys fever dreams; dialogue as sharp as the actors crisp suits, katanas, dubstep, gunplay, and buckets of chicken and nerd-culture are all combine in a mishmash of science fiction, parody, and comedy. As far as how well it succeeds, the results are as varied as the content.

Mikey Neumann is the creative director of Borderlands, one of the most conceptually original games to come out in the last few years, and Anthony Burch is the creator of hit webseries Hey Ash Whatcha Playing. They’re both writers, and it shows; the dialogue is pristine, and though neither of them really act at any point (and moments of high tension are simply yelled loudly instead of with emotion), there are some truly stellar moments of comedy.

However, the action part of the equation really falters in the structure of a webseries. The entire series (as of episode 6) takes place in a house and backyard. The demons the men fight are simply given motocross helmets and turtlenecks. Whereas the comedy can be sharp, fast, and direct, the action scenes are bloated, clunky, repetitive. Swordfight in the living room, shootout in the den – it sounds more exciting than it is. Though technology has advanced stupendously for amateur filmmakers in recent years and allows for people to accomplish a lot more with a lot less, the series still suffers for its ambition in this regard.

There hasn’t been any narrative movement since episode one; a few rules of the world are fleshed out, there are a couple interesting reveals, but they all lack significance. Anthony continues to spend his time in the living room while Mikey continues to slaughter demons. It’s the same thing every episode, and though each episode opens with a countdown to the end of the world, there’s no tension because there aren’t any stakes as of yet.

However, Anthony Saves the World still manages to entertain. Mikey and Anthony seem to be having fun with the series, and it translates to an enjoyable experience for the viewer. The world seems thought out, and I’m most interested in seeing how these parts come together. The first season of a webseries is rarely indicative as to where the series will end up. Actors get more comfortable in their role, editors become more frugal, effects coordinators become more adept – really, a webseries is a chance for amateurs to become professionals. Though the series hasn’t found its groove yet, the foundation is there. All that remains is for it to fulfill its own ambition.

3/5

Review: Potter Puppet Pals

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Mar 132011
 

Potter Puppet Pals

Comedy – Sketch | Parody

Created by Neil Cicierega

Starring

  • Neil Cicierega
  • Emmy Cicierega
  • Alora Lanzilotta

Synopsis: Characters loosely based from JK Rowling’s Harry Potter series create mischief and wreak havoc on each other…as puppets.

Review:

In Neil Cicierega’s version of Hogwarts (School of Magical Mystery Tour) everything is a little left of centre. Harry Potter is a conceited ass hole, Ron Weasley might be a little gay, and Dumbledore rarely wears clothes. Harry, Ron and Hermione play pranks on each other, Snape or Voldemort while Dumbledore flicks in and out to bestow wisdom that may or may not be brought on by smoking a lot of weed. He seems pretty high.

Potter Puppet Pals (PPP) has a lot of potential given not only the limitless qualities of the magical world, but also in its use of puppets and, initially, animation. By having non-human subjects, the series is able to play on extremes and shock humour. The first two episodes (Bothering Snape and The Trouble at Hogwarts) released around 2006 (an educated guess, as it appears Cicierega has removed them from his YouTube account, but keeps them on the PPP website) do so with full flair at a perfect pace and length for our bite-sized entertainment society. Future episodes, however, seem to run long and the jokes rely on swearing, the stupidity of characters or characters defecating in their own trousers.

After the two first episodes, Cicierega traded in the cute cartoons for real puppets. Although the puppets are impressively detailed, the technical aspects of the episodes lacked as clean animation turned into grainy footage and awkward edits. But as the series has carried on, the quality has increased, as has the popularity; the YouTube view counts continue to climb for episodes new and old, garnering an average of 1.5 million hits for each released within the last year. I just can’t understand why he pulled away from the animation in the first place.

PPP plays well into its target audience – Harry Potter fans that enjoy TV shows like Family Guy. Cicierega does an impressive job at giving voice to every character, and for the past five years PPP has provided live shows as entertainment at the annual Yule Ball in Cambridge, MA (kind of a big deal.)

The series misses the initial humour it played on, making fun of death and crisis, but it’s still got some good lines and, since it isn’t serialized, is fun to pick a random episode from when there’s 10 minutes to spare. It can be a little hard to figure out the order of episodes anyway, as their listed on the PPP website, Cicierega’s personal YouTube channel and the PPP YouTube channel all uploaded and arranged in different orders.

Cicierega is a smart creator though – the most recent episode in particular was released specifically stating that its content was due to comments left on previous episodes. He listens to the fans and realizes that without them, there’s no point to the series, which is a lot more than can be said for some shows floating around the web.

Overall, Potter Puppet Pals is good for a quick laugh but isn’t worth fighting your little brother for the computer over. And I’d like to know where I can get a set of Potter puppets for myself.

3/5

Review: My Pal Satan

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Mar 082011
 

My Pal Satan

Comedy – Situational

Created by Dennis Heaton

Director: Vivieno Caldinelli

Starring:

  • Jefferson Brown
  • Rachel Wilson

Synopsis: Donna literally finds herself stuck with the roommate from hell.

Review:

My Pal Satan is a promising concept for a webseries. It takes place on a closed set (Donna’s apartment), it’s funded by the CFC , and it was created and written by Dennis Heaton, an established screenwriter and the man behind cult hit Fido. The show was nominated for a Leo Award in 2010 and boasts impressive production values, particularly in regards to cinematography.

Donna’s prim and soft outfits highlight the characters ideology and Satan succeeds with a simple coat of red makeup. A special kudos to the set designers on the show for making simple and subtle choices that accentuate their subjects.

However, when you look past the sheen of the series, the faults become apparent. The immature doesn’t  mesh with the cheesy situational comedy.  Cheap gags such as a date vomiting into another dates mouth and Satan using Donna’s diary as toilet paper are examples of comedic setups in the series, but they never evolve into punchlines or poignancy. Instead, the series drifts uncomfortably between morally driven sitcoms of the past and absurd comedic characters of the early 2000’s.

Within the series, the acting flits between passable to professional. Particularly, Jason Gautreau’s two-time appearance as Baxter is one of the acting highlights; when he’s possessed in Episode 5, Possession is 9/10ths the Fun, he gives a varied and interesting performance. Meanwhile, the stars of the series, Jefferson Brown and Rachel Wilson as Satan and Donna respectively, never really find a groove with their characters. They’re not lacking or weak in their performances, but their characters are so two-dimensional and void of meaningful conflict that the actors never have a chance to show off an emotion pass slight discomfort or mild annoyance.

My Pal Satan does a number of things right as a web-series; it boasts an easy to summarize premise, a unique (and short) intro sequence on each episode, a closed set, simple (yet effective) special effects, and a website that glows from polish. However, while the technical aspects are rounded smooth, the show’s jagged seams pop up in the form of intransient characters, meandering plots, and most confusingly, an out-of-order canon; in Episode 4, Miss Popular, Donna bemoans losing her love interest at work, but in Episode 5, the audience sees the beginning of that encounter (and a resurrected character who was killed in the previous one). With only six episodes and an otherwise stellar attention to detail, it’s a confusing misstep.

Overall, the series is an impressive-looking piece of portfolio for all involved, provided nobody cares to look for anything of substance.

2/5